They can also write songs that display the strongest elements in their voice, for example, their sultry, smoky low-tones their falsetto or their impressive high notes. Of course, when singers write or co-write their own material they can easily assess whether they can comfortably sing the lowest and highest notes. I was beyond devastated, but I learned a powerful lesson.īefore I go further, I’ll clarify that a vocalist’s range can be defined as the span from the lowest to the highest note he or she can sing. The song was scrapped and I was stuck driving my dented, rusty old Honda. The producer said that even if they had used some “tricks” and the artist had been able to nail it in the studio, she wouldn’t be able to sing it night after night on stage. ![]() But when the record producer and artist attempted to determine a key, no matter what key they tried, the low notes were too low or the high notes were too high. The demo singer I hired had an incredible voice and nailed those notes effortlessly. How had I failed to notice I was writing such a demanding melody? When writing the song, I had slipped into my falsetto and hadn’t checked to see how much range was required. The singer would need to be able to hit and hold those notes in her chest voice. Compounding the problem was the fact that the highest and lowest notes were critical to the melody and emotion of the song. Her hits had never required her to sing more than an octave and a half in fact, several of her songs were comprised of even fewer notes-and my song demanded a range of two octaves and a whole step. This artist was a fantastic singer with an instantly identifiable sound, but she was not known for having an extensive vocal range. “She will never be able to sing that song.” While deciding if my soon-to-be new Benz should be silver or gold, a nagging little voice whispered in the back of my brain. I decided on the Mercedes-a convertible model. ![]() As the artist’s recording date approached, the head of A&R phoned my publisher to say my song had made the final cut and would be a “career single”-a song that would propel his artist to superstar status. The head of her record label said my song was a “must-cut” situation, and I was faced with a daunting decision: should I buy a Mercedes or a BMW. At the beginning of my career, I had a song go on hold for a female country music star whose singles regularly went to #1.
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